Electrografic paintings / MUSICAL SCORES1987-90

The symbiosis between image and sound has been latent in most of her bodywork, but in these works she has developed a new language incorporating the musical scores to her iconography as a formal and conceptual work, through the contemporary music signs in its shape and content.
She use these contemporary music symbols exploring along with the composers, the cadence of their shapes, silences and rhythm in a musical "tempo" to construct and create the visual images and sequences, to represent the final modular work in two or three dimensions installations.









These B&W and color copier series, were generated by contemporary musicians scores such as Javier Darias, Ramon Farran, Llorens Barber etc and where shown at the Centro Eusebio Sempere in the Gravina Palace in Alicante, The Cultural center in Alcoy, etc





These B&W and color copier series, were generated by contemporary musicians scores such as Javier Darias, Ramon Farran, Llorens Barber etc and where shown at the Centro Eusebio Sempere in the Gravina Palace in Alicante, The Cultural center in Alcoy, etc





Bilingual catalogue spanish-english, title " Electrographic paintings" edited by Center Eusebio Sempere in Alicante in 1990. It has 30 pages B&W and color with texts by Eusebio Sempere and Sonia Sheridan


From the bells´s electrographic series inspired on the Llorens Barber´s work, she used one of her images for the Llorens Barber´s Cd cover.
Disk title: Bell´s concert. "Linguopharincampanology
edited por Hyades Arts in Madrid, 1994.